nichi d'amico wikipedia

[12] She continued with her main genre, the portrait, to represent women couples. Inside the council, D’Amico along to Sara Facio were responsible for the circulation and distribution of the Works among press and society. Taylor, y más de 20 aparecen en las prestigiosas revistas Nature o Science. Premio "Targa Giuseppe Piazzi" 2005 por la Investigación en Astronomía (noviembre 2005. FACIO, S., "Alicia D'Amico", p.4 En VV.AA., Original text: “De mis comienzos recuerdo con gratitud los consejos de dos colegas: Annemarie Heinrich y Boleslao Senderowicz. 1983: IIº Encuentro Feminista Latinoamericano y del Caribe, Lima. All pages with titles beginning with Nichi; All pages with titles containing Nichi… She published photography books and for the last twenty years of her life she focused on feminist issues and personal projects about the role of women in photography. Infanzia, vocazione e prime esperienze di Giacomo Casanova, veneziano, https://nl.wikipedia.org/w/index.php?title=Suso_Cecchi_D%27Amico&oldid=55112463, Creative Commons Naamsvermelding/Gelijk delen. Alicia D’Amico's photographs were shown at the first exhibition made by the CAF, at Gallery Praxis in 1980. A cultural atmosphere was created in the studio, they made intellectual meetings where the most important figures of the Argentinian culture were gathered. I know that, since the start, my photographs had a rigour of composition that could remember to other masters, but i formed my competitive basis in my time in the National Academy of Fine Arts. [7]​, Desde 1982 hasta 1995 fue investigador universitario en la Facultad de Ciencias de la Universidad de Palermo. (1984). It was a very stimulating place for feminist art, because a lot of its participants were artists, like Alicia D’Amico herself. Co-líder de una profunda investigación del plano galáctico en la línea de 21 centímetros del. [2] The CAF had the purpose of spreading Argentinian photography and provided photographers with different types of training. She was born in Buenos Aires, where her family had a photographic business. In March 1960, D’Amico travelled to the United States, where she attended a course of colour photography held by Kodak in Rochester, New York. Ze werkte daarbij nauw samen met de regisseur. [1] She dedicated her entire life to photography, and she became a leading figure in Argentinian photography. It would be mine or hers. Podía ser de una u otra. Alicia D'Amico was born on October 6, 1933 in Buenos Aires. Un día una estaba inspirada y otro, la otra. Maybe this is the basis to organize this profession hierarchically and not feel like a slave of money. [4]​, Su figura ha sido una de las más importantes en la realización del proyecto del Sardinia Radio Telescope (SRT), el radiotelescopio situado en la provincia de Cagliari, en la isla de Cerdeña, el más grande y más avanzado tecnológicamente de Italia y el más grande de Europa. Met hem had ze drie kinderen. In 1969 Alicia D’Amico had participated in the foundation of the Unión Feminista Argentina (UFA) accompanied by other intellectual women like María Luisa Bemberg, Leonor Calvera, Marta Migueles or Hilda Rais. In Paris, the project which they had to develop for the scholarship was to make an art history book. Como presidente del INAF desde el 16 de octubre de 2015, trabajó para reforzar las relaciones institucionales tanto en el campo nacional como en el internacional incluyendo también al mundo industrial. Personal life. Coinciding with the celebration of this feminist activities, Alicia D’Amico started a project that lasted until the date of her death in 2001, her series of works Creación de la propia imagen. Alicia D’Amico admired him for that, but it wasn't enough to link her to the family business of photography. Ze was tot aan haar dood getrouwd met de muziekwetenschapper Fidele D'Amico. This workshops were repeated in time and them allowed Alicia D’Amico to portrayed a lot of different women. Con su enorme experiencia profesional publicitaria me enseñó a no desestimar mi trabajo, a no venderlo al mejor - o peor - postor; a aceptar sólo los trabajos que me dieran satisfacción personal. In New York, D’Amico had learned the US method of work, which consisted of working non-stop from 11 AM to 7 PM. Photographically talking, I feel the daughter of the ones I mentioned and not of others.". In August 1983, Lugar de Mujer was created and among its founders were Alicia D’Amico. [11] She worked on make lesbianism visible by using visual representation. The portraits which were presented in that book were simply expressive, D’Amico and Facio looked for the form of capture the pathology of the characters by using cut shots and very strong close-ups. Co-Líder del barrido a bajas frecuencias llevado a cabo en todo el cielo desde el Observatorio de Parkes. Elaborated in the decision of reality, elaborated in that "second gaze" which the photographer makes before the shot. She was designated as the Secretary of the Executive Commission and Secretary of the monthly competitions, and she founded the photography library of the club. Se descubrieron centenares de nuevos púlsares con periodos de milisegundos. Suso Cecchi D'Amico. Durante el año 1985 obtuvo una beca de investigación de la OTAN en la división de Radiofísica del CSIRO en Sídney (Australia). The main objective of it was different from the one in Autorretrato workshops. There she was trained artistically and started to discover Argentinian cultural life in addition to more international views. Co-Líder de este experimento de radio en el Observatorio de Parkes gracias al cual se descubrieron numerosos. [3]​ Tras finalizar su primer mandato de cuatro años en el INAF inició su segundo mandato el 30 de diciembre de 2019. [5]​, Su actividad como científico se desarrolló en el campo de la astrofísica experimental, centrándose en el estudio de los púlsares, la radioastronomía y la astrofísica de altas energías. El 2 de diciembre de 2005 la comisión Europea concedió el Premio Descartes al grupo PULSE como uno de los proyectos de investigación de ese año 2005.[9]​. D’Amico and Facio made up a very important photographic library. Nicolò D'Amico (1953-2020), also known as Nichi D’Amico, was an astronomer and President of Istituto Nazionale di Astrofisica.. In 1955, the two of them took a trip to Europe which lasted a year and a half. In spite of the fact that some of her first photographs, which were taken for the Foto Club competitions, consisted on very academic compositions, Alicia D’Amico always broke the rules and used her own vision. They worked in a few articles which were published in the 1955 issue.[4]. The real protagonist of the photographs were the people of Buenos Aires, and how they moved through the streets. The portrait was her main genre, because portraying people was always her passion. Apart from this two examples, Alicia D'Amico had other photographic books published, such as: SANGUINETTI, A. She dedicated her entire life to photography, and she … [6]​, Falleció el 14 de septiembre de 2020 en Cagliari. [5] In a short space of time, the studio started to receive its first clients among which there were intellectuals and artists. Nicola "Nichi" Vendola (Italian pronunciation: [ˈniːki ˈvɛndola]; born 26 August 1958) is an Italian left-wing politician and LGBT activist who was a Member of the Chamber of Deputies from Apulia from 1992 to 2005 and President of Apulia from 2005 to 2015. In Facio's words: “When it was time to choose, we always selected the best photo. She met Sara Facio when both of them were studying and became very close friends. Nicolò D'Amico, más conocido como Nichi D'Amico (Palermo, 28 de junio de 1953-Cagliari, 14 de septiembre de 2020)[1]​ fue un astrofísico italiano,[2]​ profesor de Astrofísica en el Departamento de Física de la Universidad de Cagliari y Presidente del Istituto Nazionale di Astrofisica (INAF). Giovanna (Suso) Cecchi D'Amico (Rome, 21 juli 1914 – aldaar, 31 juli 2010) was een Italiaans scenarioschrijfster. [...] Since the first moment, I felt influenced and attracted to the regular photography (not the "artistic" one) but elaborated. D'Amico werkte dertig jaar als elektricien bij het machinebouwer Caterpillar in Gosselies, waarvan 26 jaar in de nachtdienst.In dit bedrijf was hij ook vakbondsvertegenwoordiger van de FGTB.Na de sluiting van Caterpillar in 2016 werkte hij twee jaar als maatschappelijk werker. Elaborada en la elección de la realidad, elaborada en esa “segunda mirada” que hace el fotógrafo antes de la toma. En V.V.A.A. ALBERTO FERNANDEZ, C. “Desarrollo de la fotografía artística en la Argentina entre 1980 y 1990” p. 42. Observaciones en radio en coordinación con el, Parkes Multibeam Survey, 1996-2011. Vanaf het begin van haar carrière werkte ze mee aan meesterwerken uit de Italiaanse cinema, zoals Ladri di biciclette (1948) van Vittorio De Sica. […] Me sentí influido y atraída desde el primer momento por la foto normal (lease no “artística”) pero elaborada. In Germany D’Amico discovered a new approach to photography, different from the one developed by her father. They took portraits, but in an artistic way and also worked for the advertising world, and their shots (took without any previous sketch) were for national and international newspapers. Between 1965 and 1967 she worked on a shot series which unified in her first book, Buenos Aires, Buenos Aires, published in 1968[3] which was a huge success. Her portrait passion was crystallised in the book Retratos y Autorretratos, published in 1973. Due to her training in the Escuela de Bellas Artes, D’Amico always create very clear and equilibrated compositions. "Salud, identidad y socialización. There, D’Amico grew up between photography equipment, while she attended school and took painting and music lessons. Esta página se editó por última vez el 2 nov 2020 a las 18:07. Roberto D'Amico (Charleroi, 7 mei 1967) is een Belgisch marxistisch politicus voor de PVDA (PTB).. Levensloop. At that point, she didn't participate in more competitions, because they didn't mean nothing new or stimulating to her. One day she was inspired, and the next one, I was. In one word: be free.". They were able to afford it because the French government granted them a scholarship to study in Paris. In Lugar de Mujer, continuing with the idea of Creación de la propia imagen, D’Amico made with the psychologist Graciela Sykos a workshop called Autorretrato, where the participants were able to transform the imagen of women, a new image of women by women, through photography. Co-Lider de los experimentos que revolucionaron el panorama de los púlsares, con el descubrimiento de más de 2 000 púlsares, entre ellos el primer sistema binario de dos púlsares, conocido como, GC Survey, 1998-2020. Cecchi D'Amico was de dochter van auteur Emilio Cecchi. Nicolò D'Amico, más conocido como Nichi D'Amico (Palermo, 28 de junio de 1953-Cagliari, 14 de septiembre de 2020) ​ fue un astrofísico italiano, ​ profesor de Astrofísica en el Departamento de Física de la Universidad de Cagliari y Presidente del Istituto Nazionale di Astrofisica (INAF). This motivated the two friends to visit every museum, gallery, art centre, and theatre that they could. She had a predilection for the black and white, which provided her photographs with a special expression. Nichi Farnham (born 1963), American politician; Nichi Hodgson (born 1983), British journalist, broadcaster, and author; Nichi Vendola (born 1958), Italian politician; See also. The importance wasn't the architecture nor the urbanism. Alicia D’Amico was an Argentinian photographer. [6]​, Astrofísicos y alumnos formados bajo su liderazgo, Red de Púlsares Europea EPN (European Pulsar Network), «Addio a Nichi D'Amico, l'astrofisico è morto a 67 anni», «Nichi D'Amico e l'eredità che ci lascia», «Addio a Nichi D'Amico, papà del Sardinia Radio Telescope», «Nichi D’Amico alla guida dell’Inaf per altri 4 anni», «In Sardegna il radiotelescopio più grande d'Europa, il Sardinia Radio Telescope», «Currículum de Nichi D'Amico en la web del INAF», «E' morto Nichi D'Amico, papà di Srt: il più grande radiotelescopo italiano», «PULSE: The Impact of European Pulsar Science on Modern Physics», «Descartes Prizes for Research and Science Communication – 2005 Winners announced», «XIII Targa Giuseppe Piazzi per la ricerca in Astronomia», «CSIRO Annual Report 1993 – 1994 - CSIROpedia», https://es.wikipedia.org/w/index.php?title=Nicolò_D%27Amico&oldid=130580008, Licencia Creative Commons Atribución Compartir Igual 3.0, Director de Observatorio Astronómico de Cagliari, COS-B Caravane Collaboration, 1977-1981. Because of his huge professional experience in publicity he taught me to never understimate my work, to never sell it to the best -or the worst- bidder; to accept only the works which provide me personal satisfaction. Desde 1996 a 2001 fue astrónomo asociado en el Observatorio Astronómico de Bologna y subdirector del mismo. […] Yo vi por primera vez “la foto” en las obras de, Escuela de Bellas Artes “Manuel Belgrano", http://www.multimagen.com/notas/detalle.php?id=192, https://fido.palermo.edu/servicios_dyc/proyectograduacion/archivos/3204_pg.pdf, https://en.wikipedia.org/w/index.php?title=Alicia_D%27Amico&oldid=977228621, Wikipedia articles with CINII identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License. Giovanna (Suso) Cecchi D'Amico ( Rome, 21 juli 1914 – aldaar, 31 juli 2010) was een Italiaans scenarioschrijfster . La elaboración aun invisible que vemos antes de disparar. [13], In the 1990 decade, she developed this topic with a personal and inevitably political vision, by making another workshops, as the one made in Las lunas y las otras in 1994, called Dar el cuerpo o dar la cara, which one was repeated one years later in IV Encuentro de Lesbianas Feministas de América Latina y el Caribe, in Mar de Plata.[14]. Líder de la búsqueda de radiopúlsares en, High Time Resolution Universe Legacy Survey (HTRU), 2006-2020. Cuando hacemos el encuadre y sentimos que esa es la foto y no otra. It didn't consist of a book with panoramic views of the city and beautiful landscapes, with no subjects in them. [3] Back in her home, she and Facio started to study photography with her father, but a short while after, he died. He was born on 28 June 1953 in Palermo.He was married and had a daughter. Líder de un experimento piloto con el gran radiotelescopio Cruz del Sur del, 1.4.GHz Survey, 1988-1993. El equipo italiano que dirigía Nichi D’Amico contribuyó a la instalación de diversos componentes hardware además de su participación en las campañas de observación. At the Foto Club, the photographers took part of competitions which allowed them to climb positions inside the hierarchy of the club. Durante este periodo D’Amico representó al Instituto de Física Cósmica e Informática del, III Molonglo Survey. Ze werd vooral bekend in de jaren '60 en '70 door haar samenwerking met de regisseurs Franco Zeffirelli en Luchino Visconti. This concept started in the First Argentinian Congress La mujer en el Mundo de Hoy, where the Argentinian photographer took photos of the women that attended the congress, and she let them pose however they wanted to, the importance of the photo was to capture the essence, the sensibility of each person.[9]. Desde 1990 a 2001 fue investigador del Istituto di RadioAstronomía de Bologna en la Estación radioastronómica de Medicina. D’Amico also joined the Foto Club Buenos Aires in 1960. In this establishment there were two parts, a counter for the general public and a workshop, darkroom and gallery which was attached to the family house. LAURA ROSA, M. “Exploraciones sobre el deseo lésbico a través de la fotografía”. Pulsar Survey con el radiotelescopio Cruz del Norte, 1994-1999. Her father had worked for the improvement of the labour union of photographers. Despite that, her success was inevitable because professionalism and her excellent technique. (…) A Senderowicz le debo consejos prácticos invalorables. The D’Amico and Facio studio worked for twenty-three years, until 1983. En una palabra: ser libre.". (...) I owe to Senderowicz invaluable advices. He died on 15 September 2020 in Cagliari.. Career. Every photo was captured naturally, the person who was being portrayed was never posing. When we make the framing and we feel that the photo is the one and not another. Otro gran éxito de este grupo fue descubrir el primer sistema binario formado por dos púlsares que ha permitido verificar la Teoría de la Relatividad General con una excelente precisión. She published photography books and for the last twenty years of her life she focused on feminist issues and personal projects about the role of women in photography. Biografía". Every shot they took in the studio was signed by the two of them, without distinguish who really shot each photography. She ran a very productive studio with Sara Facio for twenty years. There she bought her first camera, an Agfa Super Silette 35 mm. Low Frequency Survey, 1994-1996. "Alicia D'Amico. Ze schreef vanaf 1946 meer dan 110 scenario's. Participó cronológicamente en los siguientes proyectos e investigaciones: El Archivo Internacional de la NASA cuenta con unas 300 entradas a su nombre y casi 10 000 citas. The elaboration still invisible which we see before shooting. They made audiovisual aids for television or private companies and still photographs from movies. I have followed his instructions since the very first day and I am not sorry for that, although I spent weeks with my arms crossed. This page was last edited on 7 September 2020, at 17:31. Líder del proyecto, desarrollo y conducción de un avanzado backend para la investigación de púlsares con periodos de milisegundos con la Cruz del Norte en la Estación radioastronómica de Medicina, de cuyas observaciones se descubrieron nuevos púlsares de milisegundos. By making a visual imaginary of desire between women she was contributing to give visibility to it. She won the second place in her first competition, and from then on, she rose up until she reached the upper category. Líder del proyecto con la instalación de modernos front-end de bajo ruido y sistemas de rotación analógicos de multihaces. Alicia D’Amico (October 6, 1933 – August 30, 2001) was an Argentinian photographer. In 1953 D’Amico graduated from the Escuela Nacional as a Profesora Nacional de Dibujo y Pintura. De tekst is beschikbaar onder de licentie. He was one of the founders of the Sociedad de Fotógrafos Profesionales Establecidos, and he had participated in the first cooperative group of professional photographers. De estas publicaciones una decena son en colaboración con el Premio Nobel de Física de 1993 J.H. As Sara Facio wrote “No madrugar y no almorzar, dos principios para mantenerse “en forma”” (Not getting up early and not stopping for lunch, two principles to “stay in shape”). Quizá sea la base para jerarquizar la profesión y no sentirse esclavo del dinero. [2] Her father, Luis D’Amico was a local photographer and managed the family business, a store named “Foto-Arte D’Amico” in Buenos Aires. [6]​, Junto a Andrew Lyne del Observatorio Jodrell Bank (Reino Unido) y Dick Manchester del CSIRO (Sídney, Australia) es uno de los fundadores e impulsores de uno de los más prestigiosos grupos internacionales de investigación, la Red de Púlsares Europea EPN (European Pulsar Network), más conocido como el grupo PULSE. Reacondicionamiento del radiotelescopio Cruz del Norte en la Estación radioastronómica de Medicina, 1988-1993. This was not the way of expression that Alicia D’Amico was searching for. Back in Buenos Aires, during this same year, she opened along with Facio a photography studio, “Sara Facio Alicia D’Amico Fotografías”. [3] From Paris, they traveled to Germany, Spain and England. And we signed with both our names.”[7] In 1982 they were awarded with the Premio Konex jointly. (1984). This series of activities made easier the gathering of the previous feminist groups and they were able to continue their work. These new ideas were far from the creative process that her father used in his photography, which was purely commercial and with bureaucratic purposes. [3] Since then, they started to publish works made by Latin-American authors, to increase their distribution and recognition among society. Thanks to that, the two young photographers discovered the journalism and advertising world of the time. In this series of photographs, Alicia D’Amico was searching for a legitimate representation of the desire between women. Y las firmábamos con los nombres de las dos.” FACIO, S., "Autorretrato de una artista". Alicia D’Amico took charge of the family business the two next years, but then she decided to close the studio. Original text: “A la hora de elegir, seleccionábamos siempre la mejor foto. Julio Cortázar wrote the introduction. This couples were real couples, and D’Amico only capture the photos without them posing, because the artist didn't want to lose the authenticity or the tenderness. Ze bleef tot op hoge leeftijd actief in de filmindustrie. She was born in Buenos Aires, where her family had a photographic business. She ran a very productive studio with Sara Facio for twenty years. In this place they held different cultural activities, study groups, information chats and awareness sessions. When she was thirteen years old, she was accepted into the Escuela de Bellas Artes “Manuel Belgrano". They were not interested in made one image more superior than the others, like in the competitions organised by the Foto Clubs and other institutions. Seguí sus indicaciones desde el primer día y no me arrepiento, aunque pasé semanas con los brazos cruzados.

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